Transcript
WEBVTT
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there. We hope you really like
you're listening to creating daily. There's something
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wrong with you. You know that, because you and I are like a
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mullet. It is the is the
business. So he's the front part of
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the haircut and then I'm the party
in the back. I think they're hilarious.
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It speaks to me. It's like
he's saying what I'm thinking. All
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right, what is going on everyone? Welcome to another episode of creating daily.
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I'm your host, Billy Thorpe,
the guy who cooks bacon with a
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shirt off. I'm having so much
fun today I've probably had a little too
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much coffee, but we'll get into
a gat. My friend John Wildly on
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here in just a few minutes.
He's an eighteen year radio host, previously
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in law inform enforcement, but now
hosts a podcast and radio show called the
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law enforcement today. Radio show and
podcast crushes it. Okay, when you
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talk about podcast girls, you talk
about growing your audience, growing your community
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and sponsors. I mean this guy
is really blazing the trail for the rest
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of us. So I'm excited to
have him on here in just a few
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minutes. He's going to walk us
through. You know how do we get
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our podcast indicated? Is that even
a good idea to get your podcast or
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your format or whatever that is syndicated? So we're going to jump into all
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those things and I hope you're doing
well and if you're around somewhere a subscribe
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button, be sure to smash that
thing right now. If you're watching on
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Youtube or bullhorn or wherever you're watching
or listening, subscribe to it and check
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out the podcast audio only as well. Now I did add a new segment
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yesterday, so let's go ahead and
jump right into it. What it's toll
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time with creating daily all right,
someone told me yesterday they couldn't understand me
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saying tull time in that this person
was a little older. But if you
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didn't understand it, let me know
as well. Or were they just having
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a hard time hearing? I don't
know. Anyway, maybe John can teach
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me how to do radio stingers.
But today, my one of my favorite
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tools that I'm going to be talking
about is King Sumo. So if you're
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looking to grow your audience, connect
with your audience, engage, King Sumo
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is a fantastic giveaway, a platform. They make it super easy. It's
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a onetime fee. I think it's
like forty nine bucks or something. This
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is not an affiliate pitch. I'm
just sharing my favorite tools with you,
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and it literally handles everything for you. So I don't know if you've ever
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done a giveaway on social media,
but I've literally like been looking at my
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phone writing people's names down on paper
or typing into some spreadsheet to print it
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out later and draw something out of
a hat. You can eliminate all that
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pain and to send everyone to hear
and it does all that social sharing and
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get more points for this and that
and all that kind of stuff. So
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for all your creators, are looking
to engage with your audience, maybe even
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grow your audience, do a giveaway, who knows, maybe it'll go viral,
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or partner with the brand sponsor,
all that kind of stuff anyway.
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So hopefully that's it for you,
King Sumo. Go check it out.
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Now let's go over to Creator highlights. No cooking necessary and the assembly required.
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It's got to be funk all right, all right, all right.
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Today's creator highlight is brought to you
by my friends over at maving coffee.
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As I say most days, this
is the best coffee in the world.
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Not because I say so, but
because it was literally voted with some other
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coffee stuff. So Anyway, the
ward winning coffee, I don't know.
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Go check them out. They work
with small batch microlot from Columbia. They
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work directly with the farmers. It's
delicious. I'm drinking it every day,
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multiple times a day. I would
drink a bag of day if I could.
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But maven coffeecom go check those.
Check those guys out doing an amazing
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job in the coffee space. Now
for my creator highlight. I got my
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friend Jodi Kringle. Now, she
is a just an amazing person. First
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of all, she is a voice
actor, Solo Preneur, podcaster. She's
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done a lot of jobs, I
should say, sir, I'm stuttering all
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over the place, jobs for like
big brands, some of the biggest brands
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on the planet. Amazing person when
it comes to audio branding. So go
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check out her podcast, the audio
branding podcasting, and check it out wherever.
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You listen to your show and she's
literally talking about you know what it
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is for marketing? What is your
voice from marketing, audio branding? I
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mean she is the person to go
to when it's talking about the power of
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your voice. So go check her
out. Go to onesheet dot pro jody
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Kringle, and you can check out
her her stuff there and bring her on
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your show, have her on your
show or whatever to talk about the power
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of voice. So really appreciate them
and appreciate one sheet for getting all of
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US creators. A Nice one sheet, a nice press kids. So go
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to one sheet dot pro slash Billy
Thorpe, so I can stay number one
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in the directory. Now, anyway, I'm going to stop talking here.
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I'm going to bring my friend John
On. He is an amazing guy and
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we're going to talk about podcasting and
radio and all that fun stuff. So,
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John, welcome to creating daily man. Thanks for coming. Billy,
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thanks for having here. It's ill
pleasure to be with you now. I
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don't normally let people on my show
where their voice and their mic sounds better
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than mine, because I want to
look superior, but I'll make an exception
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this today. You sound great,
my friend, you always do. I
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got to work on my audio set
up for my clubhouse UJA. Use a
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phone, so the radio and sound
is important. Audio qualities are very,
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very important, and video and a
audio shows only the content by far is
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king and your personalities part of your
content and you got a winning personality in
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a great message. Thanks, John
Man. I appreciate that, you know,
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especially coming from someone like you who's
been in the game for a really
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long time. I mean eighteen years
as a radio host is no joke.
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And then, you know, I
think like five years of my math is
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right as a podcaster, and you've
really done an amazing job at building an
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audience, building a community. So, man, I just want to pick
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your brain and we'll just have a
conversation really you know about these two worlds,
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because I often think when I'm in
the podcasting space, people are like,
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Oh, no to radio, and
I was a little bit like that
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until I met you and heard some
of the moves you're making in the radio
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space and how it's more of a
partnership than it is versus. So is
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is radio dead, John? Why
should we? Why should we focus on
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radio? Why should we, as
podcasters, foot radio in our tool bag?
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A courting Neilsen, I believe it's
ninety three percent of the United States,
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I'm Arkans, listen to radio daily, so that's still a huge number.
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If you want to get in front
of a large audience. It's a
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great way. When you listen to
the big syndicated talk show hosts, they
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realize that and they use that as
a platform to drive traffic to their websites,
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their podcast and also, for example, email, newsletter and other private
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content. They realize the power of
being front of a large audience and and
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quite honestly, the doing some radio
and podcasting is is my wife drives my
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car periodically and after adjusting the seat
because I'm like crippled getting into it,
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she puts our station I don't normally
listen to, so I can expose to
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the station and programming I wouldn't normally
seek out. podcast you have to delivery,
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seek out that show and and so
you can get some bleed over,
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you can get in front a large
audience. And for all those who say
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radio is dead, look, I'm
glad to hear that because that means more
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money for me and more slice Eppie
from me, because beyond you, most
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of the sponsorship comes from radio,
secondarily as podcast. Yeah, Hey,
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I love that. You know,
less people in the space, more opportunity
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for you to come in and dominate
that, that that spot. So and
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I agree and I you know,
once again, I was probably jumping on
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that bandwagon because, you know,
we always, I think it's I mean,
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maybe not as all creators, but
sometimes it's people were like, oh
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well, what I'm doing is better
than what you're doing or whatever, and
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I love it that you've merged these
two so seamlessly and done it pretty well
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me. So give me a rundown
of thea enforcement radios or law enforcement today
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radio show and podcast and how are
those two things married, like, how
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are you balancing the two? And
then we'll talk about if somebody wants to
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get their podcasts on, how they
do that. But for the first one,
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how do you balance those two?
First things first, I want people
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to realize I'm not a special case. You know, everything I've learned,
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it's been taught to me by other
people, program directors, music directors,
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station managers, they've all taught me
along the way. I've had instruct was
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teach me. So I try to
stick with what has been taught to me
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and we've learned from my experience and
stay away from speculation, opinion and things
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that nature sell. People that are
in the podcasting space. They may not
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realize they can do this, but
I'm telling you if I can do this,
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you can do this. Billy's show
about fishing can do this, other
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shows can do this. What I
did was, and this may sound weird,
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you know I got I was a
police officer. First I got hurt,
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retired young at the age of thirty
three and about eight years later.
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But pursuing your career and broadcasting and
the early days that we now considered podcasting,
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I use cool at it. I
would create an MP three loading my
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website and MP three download script and
people but listen to it. And then
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I went to a brokered radio station
where I paid for my time. Anybody
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can do this, and Seld my
own advertising, create a radio show and
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a podcast. I went to night
school and then been in Fulltime FM music
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jock for about eighteen years. Out
Long Story Short, in two thousand and
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seventeen, and I say this in
every radio station I've worked at, I've
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never been fired from one. I'm
very, very lucky, and I'm at
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my radio corporate office is right now. So it's use a mess. No
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matter how hard at work on that
radio station, the minute I stopped working
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for them I stopped getting paid.
I don't make anything. I've got no
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skin in the game. It's a
business. So what I did was I
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took what I learned from radio,
combined with the human experience and law enforcement.
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In two thousand and seventeen launched a
podcast. Long Story Short, we
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got heard by someone on social media, a partner with some of the really
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big social media page, facebook page, or radio station upstate New York said
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they wanted for radio. Could we
create a radio version, which we did.
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We now are syndicated. I did
the first indication thirteen station myself at
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some of the parts every week.
USN'T WE TRANSFERCOM not think complicated as MP
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three. And then my synder care
right now is talk me to network and
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we're on eighty one stations broadcasting once
a week. About twenty four million come
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on population. Then it goes lines
a podcast, and I'll close on this
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seging with this. In the very
beginning I had a very specific reason why
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I wanted to podcast. I had
a very specific audience. I knew what
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what I wanted to do and it
wasn't about me. The minute we went
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to radio, we had expand,
and I use the analogy. You've heard
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it before. Interstate Ninety five is
close to where I live in south Florida.
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So parts of it are five,
six lanes in each direction, heading
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north or South. It's always insane
same direction. You go a couple hours
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north, it's two lanes each direction. So what I had to do when
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I went from podcast only to radio
I'd expand from two lanes to six lanes,
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but I'm always heading the same direction, so it's never totally different.
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Not could tune in all of a
sudden here show about underwater basket weaving,
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because that's not what my audience expense
expect. So that's what I've done and
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the first I'd say four years that's
being in radio, I only used the
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podcast as a support mechanism for radio. If you miss the show, you
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can listen to it here. It
wasn't till I got a up house that
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I began really pursuing and seeing Ah, the different opportunities that were available on
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the podcasting space that weren't available in
a radio space due to FCC formatting,
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whatever might be, and able to
do a lot more and create another revenue
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stream. So the too combined for
me is a great marriage. Yeah,
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man, I love that you started
that as like kind of a replay,
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like on demand option. I think
that's pretty unique for radio. You know,
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if your radio host listening to this, that's like, you know,
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kind of going the odd the other
way. It's like, Oh, this
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is pretty cool. I mean that
was a pretty smart move there to to
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say hey, go catch the replay
over here. Now. You said that
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you created you had them, you
had the podcast, you're doing the podcast
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and then you created that show for
radio. So what's the difference between like
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a radio show format in a podcast
format, or is there a difference there?
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For me and and for a lot
of people, there's a huge difference.
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One of the things I say is
and I say it and it's what
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I love about billy and a few
other people. They don't we don't argue.
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We don't always agree with everything,
but we don't argue each other's points.
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When people say it's your show,
you can do it if you want,
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you can. You are allowed to
do whatever you want. If you
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want to make it all about you
and a mouthpiece for you and what you
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think, what you feel, you
and be a thought leader, that's great.
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How many people are going to be
interested in what you have to say?
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That's the God and thing. If
I want myself to have a good
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experience. I want my guests have
a good experience. By the most important
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thing is the listener. We want
them to get what they need, other
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show what they're expecting. So I
want to address certain points. The main
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two things for Radio United States compared
to podcasting. Need to have a clock,
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which means how long your segments going
to be and where the stations have
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their vails, they can put the
news, traffic, whether commercials, things
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that nature. The other one is
FCC rules, and we've all heard the
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George Carlin joke about the things you
can't say on radio. There's certain things
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you can't say, the certain things
you don't want to talk about, and
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it's not a big thing for me. I learned a long time ago,
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when again the radio world because of
hot mics and things that nature, that
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if I didn't curse in my everyday
language, is a good chance I wouldn't
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curse by accident on the radio and
get fined or fired. So if I
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go through all the effort to get
my show on a radio station, I
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don't want to get dumped in the
first couple weeks because something stupid. I
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said the violet the FCC rules and
put their sense that risk. You handle
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those two things, you can go
far. Okay, yeah, that's good.
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You know. It's good to know
because I think, I think some
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people get on a podcast and turn
into a Ramt for them and you're like,
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Oh wow, I didn't know I
signed enough to listen to this.
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It's it's good to know to like
keep your and I'll and I like that
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too, man that clock, because
I think often times, you know,
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for me anyway, I do kind
of have that that rule or not rule.
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That hates your show, you can
do whatever. However, I do
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have best practices, I believe,
in formats of shows. One because it
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keeps me way more organized. And
then that that timing thing is pretty cool
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too, because I think is a
content creator, as a radio host or
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podcast or both, it and kind
of stretch you a little bit to say,
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Hey, do the hard work and
figure it out just because you're done
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saying whatever, like maybe there's a
little more you need to say or a
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little less. Probably in a lot
of people's cases it's like keep me.
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And now, when you think about
building the show for radio, what what
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are those timeslots, they have different
options. Or is it twenty minutes for
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everybody or how does that work?
Just different options. Every stations a little
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bit different. The format I use
is, I'll just give you a brief
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example. That very first segment is
nine minutes and fifty nine seconds long.
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The second one is also nine minutes
in fifty nine seconds, the third one
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is ten minutes fifty nine seconds and
the fourth one is eleven minutes forty nine
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seconds. I'm put my commercials,
my call to actions billboard reads in the
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beginning of each segment and to each
segment. So that's the station no is.
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This is how much time allotted my
syndicator has. This is how much
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time I'm allotted and this is ratin
put my weather, my traffic, my
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news, whatever might be. The
other big difference is bumper music. When
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I do in Intro it's always ten
seconds long on the radio version and I
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lower the vine of the music because
if they need to do an overlay of
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station ID or whatever it might be, they can do that. Of course
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I shorten that dramatically for the podcast
version. So that's a basic clock.
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If people need example, then get
to my website nick and download one,
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see the one I use and see
the pdf version and also the text version
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as well. Yeah, man,
that's also I love the thanks for breaking
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that up, because I'm, you
know, even creating daily. I'm Sen
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there like okay, what kind of
formats am going to do, and I'm
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used to TV and I think TV
was like twenty eight thirty or something of
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that nature. So it was always
like man, it was so tough because
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I worked where people are just like, oh, we're going to record a
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bunch of stuff and you're going to
take it into the editing suite and you're
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going to figure out how may go. All this content makes sense, tell
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the story and, you know,
hit it at twenty thirty. It was
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really challenging, but I think it
really did help me out. So I
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like that fact of, you know, knowing those types of things. So,
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John, will any podcast work?
Like I have a forty five minute
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ish show for fishing. Is Any
podcast qualifying for this type of radio show
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or what have you seen works the
best when it goes from podcast to a
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radio show? There's it's knowing what
your show is. Number one the free
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basic type shows and my mindset you
got business to business shows, you get
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a business to consumer show, which
yours might follow into any have general entertainment
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or consumption shows, which mine falls
into. I have nothing to sell.
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So to a good examples of business
that consumer shows that are doing very well
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in the radio space are the Kim
commando show and also Dave Ramsey. You
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listen to them, they're about topics
which you would think are boring. However,
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they've made them entertaining. The entertain
first, they informed second, so
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when they have an opportunity to pitch
there for out of their book whatever might
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be, they throw that in there. So it creates a red new stream
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for them as well email, newsletter, all that stuff. Now with general
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entertainment consumption shows, it's all about
the story. So the people who are
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really good at what they do will
take a business to consumer show like yours
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and sw've in some entertainment story factors, not just make it facts. When
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people say I want to be an
authority figure, I want to increase my
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standing community what people know exactly who
I am in a radio world, that
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doesn't work. Well. If you're
going to do that, you can do
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it. However, you're going to
pay. You're going to pay what they
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called brokered stations, and you can
do that. It's an option for everybody.
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You you can broke her show in
New York City. I think the
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last time I talk to someone,
it's about thirteen hundred dollars per hour in
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New York City. Los Angeles number
two is close, but you'll be in
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front of probably a million people.
So local stations it could be less.
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It would be anywhere from fifty two
hundred dollars an hour. But if you
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make it a commercial show and don't
have entertainment value where you are draw you're
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going to have to pay. So
my show is done only on barter.
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That's the other option and it's it
gives them content and they have spaces really
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can sell their advertising or sponsorship and
things that nature, and it's a win
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win for me, the radio station
and syndicators. Well, okay, got
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to yeah, that was that was
a question is about to ask you,
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rich Graham, here over on on
Youtube. Actually I'm bring up here on
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screens. Has while billy, great
topic. Do Station's air shows for free?
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Do they charge podcasters to podcasters pay? So it sounds like there's a
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little bit of a mix in that
optional defense. It depends on your show.
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Look, I don't pay anybody.
It just doesn't. It doesn't work.
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My business model doesn't contain something I
sell. When you turn on your
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radio station on the weekends and you
hear are real estate show or you here
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a mortgage show or you here Vitamin's
sports, sometimes sports shows on weekends with
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it's a contradiction from their normal format
that's normally brokered content. So here's one
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thing. My syndicator, Josh Lange
from Talk Meeting Network is signed up three
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podcasters, I believe, to do
syndicated radio shows. There was a guy
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named rush limbaugh that when he died
it created a big opening in the talk
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media world and on the weekends so
many stations have brokered content and what happens
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is a it's a ratings killer because
it's an infomercial and there's a reason why
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infomercials on TV or on late at
night because they kill ratings. But when
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you have brokered shows where people are
paying for it and they stopped paying all
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of a sudden, it's a nightmare
for the PD. Is a nightmare and
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SAYPD is programmed director. It's a
nightmare for the general manager. So they
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want to put in station or programs
that will attract listeners, their primary listeners,
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and secondary listeners. They want to
increase their weekend audience. So for
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me, I don't pay. It's
barter only, all right, got you
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know. Or these radio stations,
are they looking? Are they niche?
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You know, you know, I've
kind of talked about finding your audience,
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your niche, knowing what kind of
content you're creating and who you're creating it
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for. Our radio stations doing that, or they just said, hey,
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we want a variety of talk show
style shows to fill time on the weekends.
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The great thing is it's it's less
niche, and so I'd say eighty
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five percent of the radio stations I'm
on are am with FM translator news talk
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stations and they can be either conservative
or progressive. My show is neither.
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It's a personal spirit show doesn't get
any politics, so it doesn't chase away
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listeners for either one. Then I'm
on some stations which are primarily it's primarily
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weekends. Almost all the stations are
on the show and some of them are
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music there for down the AC or
Christian based music, and my shows a
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total departure from that. But see
nothing about my show will chase away listeners.
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All it can do is attract new
listeners to their their their station.
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The other plus for them is it
gets some content they can sell. I'll
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give you an example. My sister
did radio sales in for four years in
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Virginia. Our biggest client on AMFM
news talk stations was a pawn shop with
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a gun range. They paid massive
amounts of money to get in front of
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our audience. So what my show
is highly sponsorable and it gives content that
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will peel the most stations I've talked
to class I'm going to classic rock station,
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some AC stations, a couple Christian
music stations and arrest are propecom the
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news talk stations on weekends. Okay, man, that's pretty crazy. Yeah,
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that's awesome. I love the opportunity
for variety there. So we you
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kind of mentioned something about licensing there
for a minute. So if I,
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if I get in touch with the
radio station, which I'm going to ask
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you that and just a few minutes
of how do I do this, and
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they say yeah, we want to, we want to play your show,
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we want to air your show.
Do I still own all the rights to
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my yes stuff. Okay, Gotcha. Yeah, I own all my content.
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I have a silent partner. I
own all my content. Syndicated means
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that they can play your program we
use radio and this example your program any
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time of day or not they want. It's fed through Westwood one satellite.
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They just put the numbers in their
log bubble and it's automatically there ands fed
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to their listeners. They don't own
it. Same in the podcast my I
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own my podcast, only I'm solely
responsible for the content to put in there.
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So they own it. When I
work for a radio station, for
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example the group I work for now, when I do voice tracks in the
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Florida keys on the the music station
there, they own it. I'm an
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employee my show, it's my baby, it's my business. Okay, yeah,
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that's good to know. I was
kind of I was curious about that.
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And here's the question. Came in
from John. Another John. He
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says, how do you feel about
creating an Internet radio station opposed to FM
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AM radio? Look, I have
a chance to be and I've been on
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some FM AM radio stations, I
mean Internet radio stations with my show.
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As long as I don't to pay
for it, I'm open to it.
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Most of the Internet radio stations don't
get much of an audience, so I
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always bear that in mind. Would
I create one with the way the royalty
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rates are for music nowadays and Internet? No, I would not. And
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then you hit the bottom music itself. So even old he's the amount of
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money you're going to pay monthly overhead. Wise can be a big, a
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big nut that'll strangle you. There's
a royalty fee with music. Everywhere else
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talk there's no fees. So look
everything I create, everything I put out
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there, everything that's sponsored, it's
hundred percent of it. To me that's
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awesome. So so you get so
when you're sign up a you know,
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the radio station, I guess you're
getting the licensing to use music or you
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plant or is that something that you're
not doing, is playing music? I
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don't think that at all. I
have a local rock band in south Florida
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has an instrumental song and I proach
some a long time ago said Hey,
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can I use this, and they
sent me email. So I've been writing
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this. He's by mission. So
when on the the Music Radio World as
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employee, they pay a licensing fee. They pay royalties every month to different
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companies to use music. So you
can use that there and the podcast world
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you can. A lot of the
AMFM news talker stations. They may be
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part of a cluster that has a
license to play copywrighting music, all this,
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don't I don't have time to create
a radio version that has different music
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from a pocket right music I permission
to use. Other than that, I
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don't use any music at all.
Okay, y'all. So, yeah,
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that's good to know because I think, you know, maybe somebody would go
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I'll do a radio I'll do radio
show. That'll be kind of fun.
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So so, essentially, John,
are you breaking up your is your podcast
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in your radio the same amount of
segments? Are you just repurposing that content,
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or are you shooting a podcast and
then recording a radio show? Or
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how does that work in your work? For that's a great question. First
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of all, ninety five percent of
the podcast content is my radio show.
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The difference is in the radio open
with an intro and then I have what
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I call a teaser. It's about
fifteen seconds of me saying what's coming up
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in net and I have the sponsor. Then I go into the content is
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show and each segment I gave the
links with the podcast version I move the
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teaser first. So the very first
thing someone hears when they tune in is
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me, my voice and what's coming
up in that episode, and I try
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to use language that that is powerful, that is explosive, that gets your
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interest, because having respect for listeners
time is one of the most important things.
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The one thing that you and I
have that we can't replace the time.
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So if they spend part of the
day with me, I want them
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to be served immediately. So when
you hear my voice and this is what's
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coming up, for example, the
one I just did today, which is
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an older episode, I reloaded it
with the new intro. It's about a
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very complex, difficult investigation in a
rest of a serial killer back in the
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s that created a lot of racial
unrest in the town this man worked in.
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So I started exactly with that,
that kind of terminology, and then
399
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when intro. So the the big
thing is I could also do podcast material.
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That doesn't work for the format of
radio and people don't like to turn
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pay for play. But when someone
approaches me to be on the PODCAST,
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if their story doesn't fit the format, they have another option and that means
403
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the option means I have to work. Then you're going to pay for board.
404
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So we can do paid placement for
infommercials or whatever might be in a
405
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podcast version. I don't do a
lot of them because, quite honestly,
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most of people, when you say
to them, Oh yeah, that would
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be fivezero dollars a go, never
mind. Yeah. So, but I
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00:27:15.920 --> 00:27:18.519
can do short special episodes, I
can do twenty minute episode in the podcast.
409
00:27:18.599 --> 00:27:22.279
There's things I can do on there
that can't do on radio. It's
410
00:27:22.319 --> 00:27:25.279
a perfect marriage. Yeah, man, that's cool. I like it.
411
00:27:25.359 --> 00:27:27.559
I like that that you're using that
content. You're doing it once or using
412
00:27:27.720 --> 00:27:30.519
multiple times. You know, I
know we don't have a ton of time.
413
00:27:30.680 --> 00:27:33.000
We got marketing, promoting and all
this kind of stuff. So it's
414
00:27:33.039 --> 00:27:36.839
really nice to build, to sit
down once and kill two birds with one
415
00:27:36.920 --> 00:27:40.960
stone. So so so say,
I have like created a show, may
416
00:27:41.000 --> 00:27:44.440
have created a podcast, and now
I'm really curious about getting in on radio
417
00:27:44.559 --> 00:27:47.920
station. Who in the world do
I even reach out to? I call
418
00:27:48.079 --> 00:27:51.039
radio host friend. There's there like
a website. Where do I go?
419
00:27:51.799 --> 00:27:56.000
The first thing usul go to,
and everybody's a podcaster should go there and
420
00:27:56.039 --> 00:28:03.400
get a free membership. It's all
ACCESSCOM alll a CC esscom is the North
421
00:28:03.480 --> 00:28:10.119
American radio and music industry. Website. So they have Canada, North America,
422
00:28:10.240 --> 00:28:14.319
some Central America and they've got job
forms in there for free membership there,
423
00:28:14.359 --> 00:28:17.799
by the ways, free you got
an Internet and they got a directory
424
00:28:17.839 --> 00:28:22.640
of stations. First thing I would
do is go to stations in your market,
425
00:28:22.119 --> 00:28:27.039
where your radio show resides, where
your podcast resides, reach out to
426
00:28:27.119 --> 00:28:32.799
them and email them. Don't based
a lot of time and money creating intricate
427
00:28:32.880 --> 00:28:37.079
packages astend doing because if they don't
have an opening, you're not it's not
428
00:28:37.240 --> 00:28:40.240
happening and chances are it's going to
take a while. But start emailing and
429
00:28:40.319 --> 00:28:44.640
that's what I did. I created
email list and it took me probably about
430
00:28:44.680 --> 00:28:48.799
a year. So I've got about
six thousand radio decision makers crossing the states.
431
00:28:48.839 --> 00:28:52.759
I MEA that email them about once
every three weeks. Wow, so
432
00:28:52.000 --> 00:28:56.319
that took a long time to bill. But once you developed an email relationship
433
00:28:56.400 --> 00:29:00.200
in a business, the business world, then it's all a fair game.
434
00:29:00.160 --> 00:29:07.440
The other thing is if you don't
look where the information is being put out
435
00:29:07.440 --> 00:29:11.319
there there's there's forums for radio,
there's fought, there's format former forums,
436
00:29:11.400 --> 00:29:17.839
there's talk, there's music's podcast only, there's social media. Is a lot
437
00:29:17.920 --> 00:29:21.799
of the forms in it. You
get free information, memberships free and it's
438
00:29:21.799 --> 00:29:25.359
a great way of getting people to
get to know you. Okay, yeah,
439
00:29:25.400 --> 00:29:26.920
that's awesome. Are you going to
sell that list, John, and
440
00:29:26.960 --> 00:29:30.960
going to curate it real nice and
put in a period? You have some
441
00:29:30.079 --> 00:29:34.200
people that pay me to send their
ads out. So you know it's certainly
442
00:29:34.400 --> 00:29:37.720
not free, but I do it
reasonably. It's not a lot of money
443
00:29:37.960 --> 00:29:42.519
and I don't get them the data
because that's just s would be unfair and,
444
00:29:42.920 --> 00:29:48.119
quite honestly, it's bordering on spam
on my opinion. So I don't
445
00:29:48.160 --> 00:29:51.000
get people data. Yeah, man, no, I totally understand that.
446
00:29:51.039 --> 00:29:52.759
Yeah, I guess I was more
asking like as er servers or something you
447
00:29:52.799 --> 00:29:56.039
provide. So that's kind of cool, man. That's pretty neat of you
448
00:29:56.160 --> 00:30:00.079
to do that and probably you know
I'm sit here. I'm sitting here going
449
00:30:00.119 --> 00:30:03.759
wow, could this show beyond on
radio? Now? You're absolutely be on
450
00:30:03.920 --> 00:30:08.960
radio. So you're fishing show has
mass appeal. It has mass appeal.
451
00:30:10.319 --> 00:30:15.759
You know the numbers, you know
your audience. How many people fish off
452
00:30:15.799 --> 00:30:21.519
the coast of North Carolina? How
much money is poorn poured into that industry
453
00:30:21.640 --> 00:30:26.200
every day? There's television shows we
could tune out of banks about that,
454
00:30:26.559 --> 00:30:32.000
and there's lots of money to be
made in that. Here's the thing you're
455
00:30:32.440 --> 00:30:34.960
you probably need to have about forty
minutes worth of content. A lot of
456
00:30:36.000 --> 00:30:38.279
content you have already. You can
edit a little bit, shortened it up
457
00:30:38.359 --> 00:30:42.160
and make it fit the clock and
be ready to go. But one thing
458
00:30:42.480 --> 00:30:48.680
is, why not? How many
stations out there in Virginia, North Carolina,
459
00:30:48.880 --> 00:30:52.359
South Carolina are looking for content like
this? You just want to be
460
00:30:52.559 --> 00:30:56.640
in front of them when they decide. Um. This shows now gone.
461
00:30:56.720 --> 00:30:59.799
I got to fill it with something. What about that fishing show? Member
462
00:30:59.880 --> 00:31:03.000
Billy Thorpe and that fishing show he
had? Let's let's try that for a
463
00:31:03.039 --> 00:31:04.839
while and give it to three months
run see what happens. All right,
464
00:31:06.079 --> 00:31:08.279
yeah, that's pretty cool, man. That's awesome. So So, who
465
00:31:08.519 --> 00:31:11.799
in? If you know whoever's listen, if you guys got questions, for
466
00:31:11.960 --> 00:31:15.200
free to hit in the comments.
Just put a little que Cole and ask
467
00:31:15.279 --> 00:31:18.160
your question in and we'll put on
the screen. Will ask John Those questions,
468
00:31:18.160 --> 00:31:21.519
because this in he's a wealth of
knowledge, like eighteen years in the
469
00:31:21.559 --> 00:31:25.319
business, already telling you how to
reach out, even starting today, reach
470
00:31:25.359 --> 00:31:27.920
out to these guys and gals and
put, you know, picture show to
471
00:31:27.960 --> 00:31:32.680
be on these networks. So,
John, is there any other like prep
472
00:31:32.759 --> 00:31:34.400
stuff I need to do before I
reach out to these people? Do I
473
00:31:34.519 --> 00:31:40.799
need to put a show together in
a radio format and have les? You
474
00:31:40.920 --> 00:31:44.799
need to have a demo and I
recommend to demos. You send in your
475
00:31:44.880 --> 00:31:48.359
email newsletter to them, or email
you whatever it doing it one email time.
476
00:31:48.400 --> 00:31:52.880
That's fine. You can use soundcloud. That's what I use. And
477
00:31:52.039 --> 00:31:56.480
your demo is going to be about
two minutes and what you do is you
478
00:31:56.559 --> 00:32:00.839
have about fifteen second segments and you
try to show them a variety of things.
479
00:32:00.920 --> 00:32:02.680
So, for example, a show
like yours, you'd have the intro
480
00:32:02.839 --> 00:32:07.279
and the first demo you'd say,
Hey, this is billy Thorpe, this
481
00:32:07.359 --> 00:32:08.519
is the main in my name my
show, here's my phone number, and
482
00:32:08.599 --> 00:32:12.640
you go bump right into it.
You put a little sound effects in between
483
00:32:12.680 --> 00:32:15.680
each segment. So you have fifteen
segments. Seconds the Intro, then you
484
00:32:15.799 --> 00:32:19.079
have a little bit. Hey,
we got a contest coming up. Learn
485
00:32:19.160 --> 00:32:21.960
how you buy back. Then in
the next segment, which is an interview,
486
00:32:22.279 --> 00:32:24.119
and you do that for about two
minutes. Get Two of those together.
487
00:32:24.279 --> 00:32:27.640
Second one. You won't have the
INTRO. You just have hey,
488
00:32:27.720 --> 00:32:30.440
this billy Thorpe's the man of our
show. This is how you get in
489
00:32:30.519 --> 00:32:32.799
touch with me and go right into
it. You want them to have something
490
00:32:32.839 --> 00:32:37.960
to listen to. Secondly, you
can take your podcast and you can put
491
00:32:38.039 --> 00:32:40.319
the link in there and say you
can listen to past episode. Is A
492
00:32:40.359 --> 00:32:45.240
podcast, to get a feel for
the format. However, I'll give you
493
00:32:45.279 --> 00:32:46.799
a word of warning. Not For
you, this is for everybody else.
494
00:32:47.119 --> 00:32:52.039
If you have content in there that
is going to scare the Jesus out of
495
00:32:52.200 --> 00:32:57.960
program directors and threaten her FCC license, Yank It. Don't put it on
496
00:32:58.039 --> 00:33:00.839
there where they can hear, because
they'll say no, not taking the chance
497
00:33:01.000 --> 00:33:06.920
on this guy, this girl,
whatever might be. Here's the real truth.
498
00:33:07.960 --> 00:33:10.039
You and I are big and sponsorship. You and I are big into
499
00:33:10.200 --> 00:33:15.880
creating revenue from what we do.
A big part of my revenue is radio.
500
00:33:15.240 --> 00:33:22.519
I show advertisers and sponsors radio,
podcast, social media and other things
501
00:33:22.400 --> 00:33:25.079
that they can be in front of. It's not just a podcast. What
502
00:33:25.160 --> 00:33:30.359
it's just about the podcast. It
becomes all about CPM, and you and
503
00:33:30.400 --> 00:33:35.960
I both agree CPM means costing podcasters
money. That's not the real definition.
504
00:33:36.440 --> 00:33:39.160
But the other thing you want to
do is go through your social media before
505
00:33:39.160 --> 00:33:44.279
we start contacting people at anything you
have in your social media that's questionable.
506
00:33:44.960 --> 00:33:47.759
Get rid of it. Get rid
of it. Just take this weekend and
507
00:33:49.000 --> 00:33:52.799
start scrubbing your social media, start
scrubbing your old episodes of your podcast.
508
00:33:52.880 --> 00:33:59.000
For you reach out to anyone,
because the slightest thing, the what they
509
00:33:59.000 --> 00:34:00.200
don't want to have happened is that
they could take a chance on you.
510
00:34:00.640 --> 00:34:05.880
They don't want their phone ringing a
Monday morning people saying, Hey, this
511
00:34:06.039 --> 00:34:08.199
guy's we want to boycott your station, your sponsors because we don't like his
512
00:34:08.320 --> 00:34:12.480
content or something he or she said. So get rid of it. So,
513
00:34:12.800 --> 00:34:14.559
so John, I mean I love
that you said that. I love
514
00:34:14.639 --> 00:34:16.400
you brought it up. Make sure
you're presenting, make sure you know you're
515
00:34:16.400 --> 00:34:20.000
being professional. You want to be
on a professional radio station, show up
516
00:34:20.039 --> 00:34:22.960
like a professional. So is there
like a list of rules where I can
517
00:34:23.039 --> 00:34:27.079
go find that on your website or
somewhere, some other website where I can
518
00:34:27.320 --> 00:34:30.159
kind of get a little checklist of
like, who's the type of things I
519
00:34:30.280 --> 00:34:37.159
need to eliminate before I present do
a thing like FCC rules for radio.
520
00:34:37.320 --> 00:34:40.360
You'll find them in there. If
you get all access, you'll find them.
521
00:34:40.440 --> 00:34:45.920
Most of what we talked about common
sense. This goes back to well,
522
00:34:46.000 --> 00:34:47.840
that's why I asked question. I
don't know. I don't know how
523
00:34:47.880 --> 00:34:52.960
many people have the time to look. There are certain things that Joe Rogan
524
00:34:52.039 --> 00:34:54.480
going to get away with. It
I can't get away with. There's certain
525
00:34:54.559 --> 00:34:58.719
things that Colin Kampernick can get away
with it I can't get away with.
526
00:34:59.320 --> 00:35:02.360
I'm not a big named person,
I'm not a big brand. No one's
527
00:35:02.440 --> 00:35:07.000
offering millions of dollars to be outspoken. So if you want to be outspoken,
528
00:35:07.360 --> 00:35:10.480
by all means go ahead. It's
your show. If you are not
529
00:35:10.639 --> 00:35:15.880
Joe Rogan or those people, be
prepared not to get to have people spend
530
00:35:15.920 --> 00:35:20.239
money with you. If you're asking
companies like Coca Cola, Adidas, Nike
531
00:35:20.480 --> 00:35:23.199
or whatever might be, to spend
tens of thousands of dollars a month with
532
00:35:23.400 --> 00:35:29.480
you, make sure you are professional
and you have something that they want to
533
00:35:29.559 --> 00:35:32.360
be part of. Again, it's
goes back to the radio thing. You
534
00:35:32.480 --> 00:35:36.360
give an any example of why they
don't want to do business with you,
535
00:35:36.719 --> 00:35:38.159
they will take it and they're run
with it, they won't do business with
536
00:35:38.199 --> 00:35:42.000
you. Yeah, because if I
got a diamond, does knocking on their
537
00:35:42.000 --> 00:35:43.960
doors. So they want to.
They want to pick the right ones,
538
00:35:44.039 --> 00:35:46.639
the best one. So well,
John Man, I love this content.
539
00:35:46.800 --> 00:35:50.719
I think you've nailed it, knocked
it out of the park. You've given
540
00:35:50.760 --> 00:35:53.159
me a ton of homework to do. Is there anything I didn't set you
541
00:35:53.280 --> 00:35:58.559
up that you want to share about
or mention or say about getting your podcast
542
00:35:58.639 --> 00:36:02.800
indicated to radio? Look, if
you interested in doing it or pst before.
543
00:36:02.880 --> 00:36:07.559
I'm not special. I've had great
teachers. Ex you run with it.
544
00:36:07.800 --> 00:36:13.760
Try People like billy have a great
show and great content. There's a
545
00:36:13.800 --> 00:36:16.800
little prayer I say quite often,
and I'm going to paraphrase it. Please
546
00:36:16.800 --> 00:36:21.559
don't let someone steal my dreams,
crush my hope waste my time. Most
547
00:36:21.599 --> 00:36:24.199
importantly, God don't let that person
be me. When you hear people,
548
00:36:24.679 --> 00:36:29.440
especially in social audio world, telling
you I you can't do that, or
549
00:36:29.480 --> 00:36:32.559
I want to Cuss, I want
to do it, remember this. If
550
00:36:32.599 --> 00:36:36.760
you have a Messition, you want
to accomplish something, don't listen to those
551
00:36:36.800 --> 00:36:39.920
people. Most of those people,
while well intended, are trying to sell
552
00:36:39.960 --> 00:36:45.000
you something. So what do you
hear really talk? Billy tells you the
553
00:36:45.039 --> 00:36:46.840
truth. When you hear me talk, I'll tell you truth, as all
554
00:36:46.880 --> 00:36:50.639
people tell you truth. It's your
show. You know what you want.
555
00:36:50.639 --> 00:36:52.920
If you want to get big,
the world's your oyster and you got plenty
556
00:36:52.920 --> 00:36:57.079
of opportunity that on microphone that we're
talking into, that you're talking into.
557
00:36:57.480 --> 00:37:00.800
It's not just a tool, it's
an opportunity to get your message out the
558
00:37:00.920 --> 00:37:04.559
world. Awesome, John, love
it man. So real quick before we
559
00:37:04.960 --> 00:37:07.119
wrap this thing up, lot people
know how they can get in touch with
560
00:37:07.199 --> 00:37:09.199
you. Where's the best place to
go, because I know you do a
561
00:37:09.239 --> 00:37:13.119
lot of different things. You're on
Clubhouse, do a lot of podcasting and
562
00:37:13.239 --> 00:37:15.679
radio rooms and helping people out minute. That's what's why I love about you,
563
00:37:15.880 --> 00:37:20.360
is your wealth and knowledge in you're
giving it away as fast as you
564
00:37:20.599 --> 00:37:22.880
can and helping, helping everybody else. So how can we find you?
565
00:37:23.039 --> 00:37:27.599
And if there's opportunity to do business
with you or program or something, feel
566
00:37:27.639 --> 00:37:30.199
free to share that as well.
Yeah, you can find even do a
567
00:37:30.280 --> 00:37:34.519
google search for a law enforcement today
radio show. Are Going to talk media
568
00:37:34.639 --> 00:37:38.119
Networkcom look at their programs. Look
for law enforcement today you'll find me there.
569
00:37:38.800 --> 00:37:43.880
The podcast anywhere podcast to serve just
typing law enforcement today podcast. You'll
570
00:37:43.920 --> 00:37:47.039
find it. I'm in clubhouse quite
a bit. I've got my own website,
571
00:37:47.119 --> 00:37:51.920
podcasting to RADIOCOM. That's the number
two. That's a free tools on
572
00:37:52.000 --> 00:37:54.119
there you can download. We've got
rooms that we do. I'm also a
573
00:37:54.199 --> 00:37:59.679
club pod leader and I try to
give from my experience in and stay away
574
00:37:59.800 --> 00:38:05.480
from speculation or stuff I've heard or
get into argues to people and stay away
575
00:38:05.480 --> 00:38:07.559
from my opinion. So feel free
to follow me in clubhouse and what I
576
00:38:07.639 --> 00:38:10.519
can help out, I'll be more
and happy to. Awesome, John.
577
00:38:10.559 --> 00:38:14.719
Appreciate that and you guys can find
all those things in the in the show
578
00:38:14.800 --> 00:38:17.719
notes and the description. John,
once again, really appreciate your man you're
579
00:38:17.760 --> 00:38:21.280
wealth and knowledge. I'd love to
have you back on the show some time
580
00:38:21.360 --> 00:38:23.920
to talk about sponsorship, something near
and dear to both of our high stool.
581
00:38:23.960 --> 00:38:28.800
It's you've made a little joke the
other day about my sponsor baby,
582
00:38:28.800 --> 00:38:32.239
because, look, I want people
to understand this and I'm close on this.
583
00:38:32.639 --> 00:38:36.760
Those are you with a podcast,
if you are not searching for a
584
00:38:36.920 --> 00:38:39.320
big facebook page to get your show
on, if you're not leveraging fig big
585
00:38:39.400 --> 00:38:44.519
facebook pages, you are wasting a
huge opportunity. That's how I gotten from
586
00:38:44.519 --> 00:38:47.559
a large audience. We've been sponsored
since the third month. For sponsors a
587
00:38:47.639 --> 00:38:52.079
year, second sponsors about two and
a half years. Then there's about nine
588
00:38:52.159 --> 00:38:54.880
months of no many response and it
is signed a big one for about six
589
00:38:55.000 --> 00:39:00.159
figures a year. So it takes
a lot of work, but it's like
590
00:39:00.320 --> 00:39:04.599
birthing. You have people who think
there's overnight success. Yeah, good luck.
591
00:39:04.679 --> 00:39:07.079
There's a few, but you're going
to work and you can work your
592
00:39:07.119 --> 00:39:09.400
tail feathers off. If you want
to make money with this, just be
593
00:39:09.519 --> 00:39:13.480
prepared to put in their work.
I love it, man, I love
594
00:39:13.519 --> 00:39:15.280
it, John. Thank you so
much again for for being on the show.
595
00:39:15.360 --> 00:39:17.400
Definitely have a me back because we're
going to we're going to hash out
596
00:39:17.440 --> 00:39:22.639
the sponsorship stuff, because I know
that's man is my favorite thing and is
597
00:39:22.719 --> 00:39:24.199
talking about how do you make money
with this? So we spend so much
598
00:39:24.239 --> 00:39:27.599
time on it. So appreciate you, John, and we'll catch you.
599
00:39:27.800 --> 00:39:32.159
Catch you later, man. Appreciate
you pleasure being here. Thank you all
600
00:39:32.239 --> 00:39:36.079
right, everyone. That is my
friend John Wiley. Be sure to can
601
00:39:36.079 --> 00:39:37.840
follow him. It's going to be
on the description, so you can get
602
00:39:37.880 --> 00:39:42.360
in touch with him and and we're
going to talk about those sponsors. I'm
603
00:39:42.440 --> 00:39:44.920
bringing back on the show. That's
a promise, because there's a lot of
604
00:39:45.000 --> 00:39:47.679
opportunity here and he's talked about now. How do you grow your audience?
605
00:39:47.719 --> 00:39:52.000
How you get out there in front
of millions of people and millions of ears
606
00:39:52.119 --> 00:39:54.840
to listen to your content, get
to know you as a creator, get
607
00:39:54.880 --> 00:39:59.880
to know your content and build that
community and build that audience so you can
608
00:40:00.000 --> 00:40:02.079
go to those sponsors and you don't
have to have a huge audience. What
609
00:40:02.159 --> 00:40:05.480
you definitely have to have an audience. And I don't know about you guys,
610
00:40:05.599 --> 00:40:08.840
but literally just now John gave us
the winning recipe of how to grow
611
00:40:09.000 --> 00:40:14.199
that and get in front of more
people every day, every day, or
612
00:40:14.280 --> 00:40:16.719
every week, every month, whatever
your frequency is. So do the homework.
613
00:40:16.960 --> 00:40:20.119
You know, maybe a few of
you, if you're really interested,
614
00:40:20.159 --> 00:40:22.079
maybe you reach out to me and
maybe we do together. Maybe we figure
615
00:40:22.119 --> 00:40:24.800
out a little system where we can, you know, work on this together,
616
00:40:24.840 --> 00:40:28.239
because I'd love to get my show
out there in front of more people
617
00:40:28.239 --> 00:40:30.800
as well, definitely my fish show, maybe creating daily down the road,
618
00:40:31.239 --> 00:40:35.400
that would be super amounts of fun. So if you enjoy this content,
619
00:40:35.559 --> 00:40:37.079
hit the subscribe button, hit the
like button, go to buy me a
620
00:40:37.079 --> 00:40:42.000
coffeecom Slash Billy Thorpe and buy me
a cup of maving coffee. By the
621
00:40:42.039 --> 00:40:44.400
way, that's where I'm going to
buy or go buy me a bag of
622
00:40:44.480 --> 00:40:46.320
coffee and I give you my address
and could ship it to me or those
623
00:40:46.320 --> 00:40:49.400
guys know it. Just tell him, Hey, I'm buying billy a bag
624
00:40:49.480 --> 00:40:52.480
of coffee. But anyway, really
appreciate you joining me. Come back tomorrow.
625
00:40:52.559 --> 00:40:55.519
I'm going to be here at two
PM Eastern time tomorrow to talk to
626
00:40:55.599 --> 00:41:01.000
my friend Kane about building a podcast
community. We're so focused on building our
627
00:41:01.000 --> 00:41:04.880
audience, we're so focused on getting
people to listen to our show, but
628
00:41:05.000 --> 00:41:07.519
how do we bring them a step
closer? How we bring them a little
629
00:41:07.559 --> 00:41:12.119
deeper and turn those audience members into
community members? And I just launched a
630
00:41:12.239 --> 00:41:15.440
community that actually launches tomorrow very timely, so I'll share a little bit of
631
00:41:15.519 --> 00:41:19.960
my experience about that as well.
But until then, go hit your record
632
00:41:20.039 --> 00:41:22.440
button, go hit your go live
button, whatever it is. Get your
633
00:41:22.480 --> 00:41:25.039
message out there. It matters,
it's important and most of all, just
634
00:41:25.159 --> 00:41:28.559
have a really good time. Thanks
for watching. We'll talk to you soon